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Ad infinitum tour3/15/2023 With Chapter I: Monarchy, AD INFINITUM put a spell on the world and surge right into the heart of epic symphonic metal with full force. Other surprises will come later this year including a complete live show on October 9th!”ĪD INFINITUM presents a dark symphonic ceremony to ring in a new era! “Fire and Ice” is the first result of this work. But in the end not being able to play live shows in front of an audience forced us to be more creative and to produce more content to share with the world! And that’s what we did. Our plans got cancelled and we were very sad that we couldn’t present our debut album the way we initially wanted to. “2020 started with its amount of disappointments. The energetic and equally melodic tunes of the vigorous ballad perfectly illustrate the heart-wrenching tones of AD INFINITUM. “Fire And Ice” marks another epos that represents the band’s diversity and passion for what love doing the most. The full show will be available for streaming beginning October 9. The video was taken from a very special concert in order to satiate the desire for dearly missed live performances, and even showcases some exclusive behind the scenes material. Plus, don’t miss the chance to discuss the video with AD INFINITUM themselves at 4pm CET via live chat on YouTube! Symphonic metal fire-starters AD INFINITUM continue their triumphant march to conquer your mind! Today, the band emphasizes their magnificent mysticism by revealing an atmospheric music video for “Fire And Ice”, cut from their marvelous debut album, Chapter I: Monarchy. Ad Infinitum might be the sound of an artist challenging himself, but it's not the sound of an artist challenging his listeners.Watch the Special Virtual Concert Stream on October 9 The songs he summons from the synths offer proof that there were more songs left in him, but he's still digging in the same mine. Lerner has reportedly said that he started collecting vintage synthesizers because he felt like he had already gotten all of the songs out of the guitar that he could. He could even do them on an acoustic guitar, as he is wont to do. 2" feels like it's threatening to break into "Shining Star" in the chorus. The tunes are sturdy, and depending on how ambitious Lerner is with this tour, he could easily put any of these songs into his comfortable power trio arrangement. The harmony on "Farmers Road" is locked in tightly, and "Ad Infinitum, Pt. Lerner's songwriting is direct and even with all of this gadgetry he has a knack for a simple, effective melody. (Though it doesn't induce as much of an eye roll as Limp Bizkit's Speak & Spell experimentation, it's not quite as cool as what Robyn and Röyksopp do with the machine.)ĭespite all of this, the songs still sound very much like Telekinesis. Whether it's a nod to the aforementioned Depeche Mode debut or not, it feels forced. Lerner gets in his own way on this song though, when he employs an actual Speak & Spell machine. "Sleep In", with its light hip-hop beat and elfin ba-ba-ba-ba-ing is Ad Infinitum's most innovative track. Though Lerner has learned well how to make these sounds, he doesn't elevate the form enough. He utters the word "forget" in more than half of the songs with lyrics, and "future" on three separate occasions. They're often vague and seem like they were the final pesky pieces that he fit into the process. But the problem with taking on so many new responsibilities is that something's got to give. Lerner also produced the album-a first for him-with some assistance from Eric Elbogen of Say Hi. 1" recalls the grandeur and evocative melodrama of the first side of Disintegration. "Edgewood" sounds like an outtake from Speak & Spell and the instrumental "Ad Infinitum, Pt. "This proved to be incredibly time-consuming and, at times, a ridiculously difficult task," he writes.Īll of that ridiculous difficulty was time well spent: he has made some beautifully textured music with moods that recall the original '80s heyday of synthpop. Detailing his transformation in a piece for Medium, he says he spent much of the past two years amassing and learning how to use a collection of vintage synths, as well as hook them up with newer technology to make new music.
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